These are... mostly... against the new stable diffusion model. I'm strategically using some older assets as well, and painting over things that were created in my Big Dada model. Lately, I've been back to noise painting, and you can really see the difference in my textures. The new stable diffusion xl model is extremely vulnerable to noise based attacks, which, honestly, kinda makes my job easier. In this group of pieces, you can see me implement more sophisticated post-collage techniques also. And I'm doing interesting things with post-processing in some of these pieces.
I hate living in a red state as a trans woman. That's what this one's aboutFinished this yerday! It's the biggest most time consuming ai piece I've ever made. This one's a 12x2 panel, rendered at 13x7 feet. I'm going to start optimizing for gallery display. I got so many compliments on this oneI made a noise painting or something else, and then for no reason at all, I decided to make the cover of Vogue, but for Planet X.This one's called, Tourist Trap, lol. It's smaller than the later one. Only a 3x2, but it was a good warmupPhantom Touch. It's about living your life online. Has a lot of interesting layers to itYes.I really wanted to make some haloween art. With this one, I painted over a bunch of grids of older renders, prompting them in a very specific way, and then doing a 4x2 panel layout that I polished and melted in Photoshop BetaSketched this one, rendered it in sd, and finishing up in Photoshop with Generative Fill.
