Weekend Work
Here's an experiment in modern surrealism. We're noise painting again, but in the exploratory loose guide sort of way, rather than the heavy handed control every major detail of a composition sort of way. And that's fine. So what I did was draw up a series of noise paints, mostly using factory floors or production lines for depth, and toying with warp, color radiation, and spray paint noise on top of that.
My goal here was to study a bunch of modern surrealist art, and see if I could manipulate the machine into giving me something similar, without prompting the artist (two out of three of whom aren't even trained in sd 1.5), only by naming elements of their technique that I noticed and enjoyed. Like, for example, noting 3d rendering and rococo stylings in the same prompt, and reconciling that with my normal brand of colorful chaos. But, seeing as how I wanted to be extra sure that I couldn't prompt the specific artists in question, I used a wildly incompatible image with heavy training, that was almost sure to obliterate any funneled references you sent to it. And it did not disappoint.
Some of these pieces are eerily close in tone, subject, and lighting to the subjects of my study. It was an interesting exercise.
A couple of these were revised after render in Clip Studio Paint. As a rule, if it's got two or more characters in it, or faces smaller than a third of the image, and you've seen me post it here, it usually has some level of post processing.
Anyway, hope all is well. Thank you for dropping in my corner of the art space.
My goal here was to study a bunch of modern surrealist art, and see if I could manipulate the machine into giving me something similar, without prompting the artist (two out of three of whom aren't even trained in sd 1.5), only by naming elements of their technique that I noticed and enjoyed. Like, for example, noting 3d rendering and rococo stylings in the same prompt, and reconciling that with my normal brand of colorful chaos. But, seeing as how I wanted to be extra sure that I couldn't prompt the specific artists in question, I used a wildly incompatible image with heavy training, that was almost sure to obliterate any funneled references you sent to it. And it did not disappoint.
Some of these pieces are eerily close in tone, subject, and lighting to the subjects of my study. It was an interesting exercise.
A couple of these were revised after render in Clip Studio Paint. As a rule, if it's got two or more characters in it, or faces smaller than a third of the image, and you've seen me post it here, it usually has some level of post processing.
Anyway, hope all is well. Thank you for dropping in my corner of the art space.
