Software products are relationships
A software product is a relationship. Understanding users, giving them a reason to care and making a living are part of the same work.
Lynn Cole / Music
Songs, releases, and experiments in sound.
A software product is a relationship. Understanding users, giving them a reason to care and making a living are part of the same work.
A dated perspective on AI work across software, commercial art, filmmaking and music, including my own job interviews.
Musical failure states, control settings, impossible instruments, and why I started building my own music pipelines.
A paranormal radio station, aliens who love pop music, and the music, creatures, sets and storytelling behind Night Signal.
Recursive poetry becomes a song, then a short film about evil robots and a software team that solves problems with meetings.
We have heard the vibe-coding argument before—in digital art, visual programming, web design, music and animation. Lowering the barrier changes who gets to try.
A generated voice can melt directly into an instrument. I enjoy the strange precision of that effect, even when it complicates a live-performance illusion.
My predictions for 2026, written in December 2025: small models, edge compute, changing tooling, creative technology and the structures of power.
GhostTown’s podcast generator turns a social simulation into editable scripts, multi-voice audio and recurring stories people can follow.
When a model calls a task chaotic, it may be recognizing a different kind of signal. I explore that response through Dada, metaphor and primordial chaos.
Noise painting uses hand-crafted adversarial inputs and incongruent prompts to push diffusion into unexpected visual territory.
Tell a coding system what good means: your architecture, standards, metaphors, file boundaries and expectations for documentation.